2024 | United States | Experimental,Short

KINSHIP: On Resampling Culture

  • 0 mins
  • Director | Hana Azab
  • Writer | Hana Azab
  • Producer | Farah Idrees

STATUS: Development

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The first four episodes of "Kinship: An Anthology on Resampling Culture" delve into the interconnected realms of human experience: time, mind, senses, and life through sound-driven narratives. Set within seemingly mundane environments, each episode features radical interventions that challenge perceptions and construct mindscapes of possible realities. Despite unique storylines, characters, and settings, a common thread of resampling culture and collective resonance runs through each vignette.

Episode One: “Change the Channel”

In the not-so-distant alternate present, Hana finds solace in her Tesla's advanced AI, Sentry, while grappling with the emotional weight of a recent call with her mother who resides in economically troubled Egypt. Utilizing Sentry's unique ability to tap into global sentiment via a sophisticated chain API, Hana seeks to reconnect with the world and escape her own conflicted emotions. As she interacts with Sentry, she discovers a poignant blend of nostalgia and optimism through an innovative time capsule exchange system, sending and receiving culturally resonant messages that transcend time and space.

 

Episode Two: “The Wild Pendulum”

In a stylistic homage to David Lynch and "A Clockwork Orange," this experimental episode unfolds in a therapist's office, where the pendulum becomes the protagonist. The viewer is drawn into a surreal and disorienting world where time itself is questioned. The patient, a figure reminiscent of Lynch's enigmatic characters, sits in a trance as the pendulum swings hypnotically. The episode highlights the microscopic voids and strange rhythms of the watch. The patient is guided to look at the watch in a relaxed manner, absorbing its rhythm, closing their eyes to picture a serene activity they enjoy. As they take their senses there and the visual becomes stable, the focus shifts back to the watch, attempting to stop the second hand, blurring the lines between reality and perception.

 

Episode Three: “Through Colorless Crystalline”

This episode explores the narrowness of human perception through the lens of an MXDA-based Aqueous Clearing System (MACS) technician. The narrative delves into the vibrational and conscious matter of all that exists, as experienced by the technician while working with the MACS technology. The technician undergoes a transformation, both physically and mentally, as they engage with the physio-kundalini energy of the system. This transformation amplifies and broadens their sensory experience, portraying a world where emotions and the essence of existence are on full display. The episode visually represents the world through the material lens, emphasizing the interconnectedness and vibrational energy of all matter, inviting viewers to perceive reality in a profoundly different way.

 

Episode Four: “We Flew Kites”

In a post-clean energy world led by the plasma physics revolution that brought about fusion-based power, this episode follows a little boy on a nondescript beach flying a kite. The boy, immersed in the feeling of freedom for the first time, constantly lapses into an old timeline of war and disruption, which starkly contrasts the moment he resides in. During his journey, he discovers a set of mysterious dice buried in the sand. These dice, imbued with a sense of ancient wisdom and power, help him connect to the intuitive universe. In a moment where time stands still, he realizes that collective liberation is upon us. The boy uses the dice to channel this realization, offering resonance through his own hums and movement. This symbolizes a harmonious future shaped by the breakthroughs in clean energy and the mystical guidance of the dice, bridging the past and present.

culture consciousness perception