In the year 2050, aboard an isolated archive drifting through space, a film cutter discovers that history is being rewritten—his reels of nuclear testing in the Marshall Islands are mysteriously overwritten with AI-generated images of Bangladesh’s Farakka Barrage floods. As an omnipresent AI insists on the algorithmic inevitability of these catastrophes and the ghost of a documentarian fights to preserve a vanishing reality, the boundaries of memory, data, and authorship collapse. A meditation, an elegy, and a manifesto—this video art resists the passive documentation of climate refugees, entangling itself with displacement, water, and the illusion of storytelling. If history is just data, then who gets to remember?