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The film presents an animated discussion on the concept of the face. It explores the theory of Professor Semir Zeki, a pioneer in the field of neuroaesthetics. The second part analyzes how viewers interpret the deformed faces portrayed in the works of British painter Francis Bacon, within the framework of the previously mentioned theory. The animation boldly combines a variety of techniques, from stop-motion animation (employing crayon, plasticine, monotype, and collage) to 3D methods.
The film exists also in polilsh version.
