Late Cinema

Shot with a hand-wound 16mm Bolex camera, this work attempts to see a situation from two perspectives at once. Alternating between camera angles every two frames, the film plays with the latency of perception to create translucent after-images in the viewer's eye.  I conceived of the piece whilst hurrying down the path featured in the film, following the filmmaker Kimberley O'Neill (the walking figure in the work). That day we were running late for a screening in a nearby cinema.