Scenes also serve as clips for teaching, documenting and preserving the accuracy of science through film.

They are precisely unedited and raw. There are meant to be recycled and repositioned into a different context in which they can be framed as cinematic experiences.

Reach Out (2022)

The artist becomes part of their artwork. The generated flesh is deconstructed, similarly to one's own hands erosion during a particularly bad eczema reaction. Hands as a means of communication with the others through gestures, sometimes as an unconscious tick, sometimes as a universal communication tool. Hands as a point of interaction with others, melting of two bodies, and sequential separation. Holding hands. Hands in defence. Empty handed. Hands in a fist. Hands falling apart with ailment. Playful hands.

High resolution GAN model was used with a custom code to interact with the generative network in real time. This is a part of a longer series of projects, in which the author explores genres of neurography, alongside with terminology of photography. Personal auto portrait through one's own body parts. Body parts as a medium, similarly to some of the work of Carolee Schneemann, or the autoportraits of Cindy Sherman.

Limitation of one owns capabilities, where lies the start of falling apart?
What would you be afraid of melting down? My own self.