Dreams have been held in considerable importance through history by most cultures. In African cultures, there were people who had dreams foretelling the coming of events, these people were revered and believed to be prophets or seers.
In society, seers or prophets held the position of steering the community into the future. For example in the Agikuyu tribe in Kenya, there existed a seer known as Mugo wa Kibiru who foresaw the construction of the Uganda Railway. He described this event as seeing an iron snake that would have many "legs" like an earthworm travelling on this railway line, eating and vomiting people when it stopped (train journey with passengers). According to the prophecy, the iron snake would have a bushy head bellowing smoke.
With the ongoing technological advancement, the nature of dreaming seems to be evolving begging the question if artists are the new dreamers. Using metaphors and symbolic references, African filmmakers are using films and music to envision future shapes and structures of life on the continent as well as to explore what dream worlds would look and feel like. Dreaming using films and music is becoming a continuous process linking the past, present and future.
Wanita leaves home one morning, not knowing that her first prayer to her own ancestors has started her journey to the Dimsi "the earth you can't see”. Naked Reality is set 150 years in the future when the human race is plagued by a terrible virus – “bad luck” and in a time when African cities have grown into one big metropolis. Wanita is the first of a new generation destined to fulfill her destiny according to her DNA instructions. Shot in black and white Wanita seemingly travels back and forth between the present and the future and carries on conversations with ancestors as well as with alternate selves. The film’s director Jean-Pierre Bekolo explores the dividing line between fiction and reality.
To Catch A Dream is an exploration of withdrawal, desire and death focusing on a young widow in mourning, haunted by the memory of her husband. Every night he appears in her dreams, exhausted, the widow decides to chase his ghost away with a dream-catcher. Crossing dimensions in her sleep, with the help of earth, air and water dream guides, she travels across the land of dreams for one last encounter with her love. Ultimately, the encounter proves fatal and she is trapped in death’s dream world. In collaboration with award-winning stylists from Kenya, the characters garments elevate the narrative by reflecting the different phases of the widow’s journey through the dream world. Tapping into a folklore tale about catching nightmares and embodying different Kenyan dialects, To Catch A Dream imagines how a dream world would look like and the rules to observe when visiting the unseen world of dreams.
On a quest to find out about his future, Sango visits a seer. Dawn of Thunder chronicles the life of Sango the famed god of thunder with his signature thunderbolt axe popularly known as “Oshe Sango” which causes lightning and disruption when used by him. Upon visiting a seer and seeing what his future will look like, Sango is presented with the choice to choose whether or not to change his destiny.
About the author
Wangechi Ngugi is a Kenyan award winning film producer. Using the art of storytelling through films, her work raises awareness around global humanitarian issues. In 2014, Wangechi produced her first feature film, Stories Of Our Lives a documentation of personal stories of lovers, fighters, rebels, and the community histories that characterize the queer experience in Kenya. The film won the Teddy Award at the 65th Berlin International Film Festival. In 2016, she was awarded Best of Africa and the African Diaspora producer award by the South African International Film Festival. She is the co-founder of Monsoons Creative Studio a digital media production company that produces creative audio-visual content in Nairobi, Kenya. Wangechi works for a future where Africa's creative storytelling is shaping the identity of its own people.