Five seasons, four parts, eight hours: the dimensions of C.W. Winter and Anders Edström’s film are as incommensurable as its central figure. Tayoko Shiojiri, a vegetable farmer who works and cares for her ailing husband in a small village north of Kyoto, Japan (and who is also Edström’s mother-in-law), is the nominal core of this monumental work, a matriarch whose labor the film observes through precise tableaux, dense sonic collage, and sequences that bend all conventional distinctions between fiction and documentary. Through the film’s workday duration, time itself becomes the subject: in its incremental movement at natural, epochal, and human scales, and through the slow passage of a rural way of life that is fading into the past. A Grasshopper Film release.