Facing a sea of dunes, hands are putting together a heap of documents – maps, samples, 3D scans of landscape, thermographies. They elaborate a manifold, experimental and invading cartography of a moving landscape. This manipulation work erects Stella -an unpopulated seaside resort- as a milieu where the relationship between the instability of earthly matter and the authority of geometry becomes graspable. The perception process shifts, buildings are worn away, landscape is an architecture.
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