Claudia Larcher frequently deals with architecture in her works. For example, she cuts catchy building parts out of photographs and combines them into multi-perspective collages in different media. In ORE, on the contrary, she falls back on natural formations. The video animation is an unbroken diagonal tracking shot. At the start, what one is being offered to look at isn´t clear. An irregular, crystalline relief in various tones of brown under a tender layer of clouds moves past the viewer. For lack of scale, the eye becomes lost in the abstract forms. Gradually, details surface that make it possible...
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