Julio Cesar left Cuba as part of the Mariel exodus in 1980, contracted HIV and disappeared from view. This beautiful film, made up of postcards and pictures, is Alejandro Alonso s attempt at a re-encounter with his uncle, a putting him back in the picture. The film´s style evokes a hazy memory of things unsaid, half-remembered, all enveloped by very strong bonds and much love, pieced together through postcards he sent home, family pictures, and textured sounds. It´s very moving and brings together many histories: political exile but also those kinds of exclusions, structural, that seem to appear once the suspicion of homosexuality makes itself felt. Part of a cycle curated by Dean Luis Reyes for Rialta magazine and featuring beautiful sound work from José Homer Mora.
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