Deadpan humour may not be the first thing we associate with stories about doomed love or struggling refugees, but director Wissam Charaf’s second feature – winner of the Europa Cinemas Prize in Venice this year - is imbued with a wry sense of human absurdity. Ahmed (Ziad Jallad) fled from Syria to survive on the streets of Beirut by selling scrap metal. Mehdia (Clara Couturet) is Ethiopian, working as a housekeeper for an elderly middle-class couple who leave her in no doubt as to how expendable she is; nevertheless, she is a buoyant spirit, determined to find a better life together with Ali. Getting in the way of their love story is the legacy of an old war wound, a mysterious infestation of metal filings that Ali keeps shedding, turning him into a sickly version of the Tin Man. Funny and serious by unexpected turns, Charaf’s film is full of stylistic surprises. This film is supported by the Red Sea Fund.
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