As a tree muses on their role in the Order of Things, this being (which humans normally think of as immobile) reveals the speed, agility, and finesse integral to their experience of the world. Adapted from a short story written by Ursula LeGuin, this decidedly inhuman filmic narrative uses the overlapping cyan and scarlet of anaglyph stereoscopic 3D imaging to speculate how a tree (which responds more acutely to light waves in the red and blue portions of the spectrum) might perceive the world visually. Though 3D stereoscopy is used in this film, it is intended to be viewed without 3D glasses.