A Palestinian poet, Rashed Hussein and an Israeli journalist, Amos Kenan met in the basement of Rogosin’s Bleecker Street Cinema – old friends and representatives of two nations that in the 1970s set off on a long journey to mutual understanding and co-habitation on a shared territory, a journey which remains unfinished even today. To recall their remote homeland, inaccessible to Hussein, who emigrated, Rogosin edits in the iconic scenes of the discussed locations and people. Similarly riven is the dialogue between the two intellectuals who fundamentally refuse the role of each other’s enemy that is forced on them.